Year | 1957 | Color | Gleaming Black | | | | | |
Birthplace | Chicago, Illinois | Factory Options | N/A | | | | | |
Manufacturer | The Harmony Company | Case Mfd. | N/A | | | | | |
Model | H63 | Case Exterior | Two-tone Cream and Gray Chiploard | | | | | |
Serial # | Factory Stamp – 4905H63 | Case Interior | Red Felt, Neck Pocket, 4 Latches, 3 Hinges (2 metal 1 leather) | | | | | |
Serial # Location | Inside Body Cavity | Case Extras | | | | | | |
Original Price | $199.50 | | | | | | | |
Specifications | | | | | | | | |
Overall | | | | | | | | |
Type | Two Pickup Electric Archtop, Single Cutaway, Right Handed | Body Length | 20 1/4″ | | | | | |
Weight | 7lb. | Body Depth | 3 11/16″ | | | | | |
Scale | 25″ | Upper Bout Width | 11 1/2″ | | | | | |
# Of Strings | 6 | Waist Bout Width | 9 11/16″ | | | | | |
Total Length | 41 3/16″ | Lower Bout Width | 16 1/2″ | | | | | |
Construction | | | | | | | | |
Body | | | | | | | | |
Body Type | Grand Auditorium, Fully Arched, Hollow-body, Harmony Style f-Holes | Body Binding | “Harmometal” Fluted Aluminum Top and Back | | | | | |
Top | Spruce Laminate | f-hole Binding | N/A | | | | | |
Back | Maple Laminate | Bracing | 1/4″ Dowel Post Under Bridge | | | | | |
Sides | Maple Laminate | Finish | Nitrocellulose Lacquer | | | | | |
Neck | | | | | | | | |
Neck Detail | Maple 1-piece | Side Marker | 6 Black Dot Stamp, 3,5,7,9,12,15 | | | | | |
Neck Profile | Large C | Nut | Bone | | | | | |
Neck Depth | 1st Fret .960″, 10th Fret 1.021″ | Nut Width | 1 3/4″ | | | | | |
Neck Attachment | Set | 12th Fret Width | 2″ | | | | | |
Neck Heel Cap | White Celluloid | Truss | Dual Steel Rod “Torque-Lok” | | | | | |
Fingerboard | Ebonized Maple | Truss Adjustment | Peghead Access 1/4″ Nut | | | | | |
Fingerboard Radius | 12″ | Truss Adj. Cover | Harmony Style White Celluloid | | | | | |
Fingerboard Binding | Fully Bound, White Celluloid | Peghead Profile | Harmony Wide Paddle 3×3 | | | | | |
Frets | .076″ Nickle Silver | Peghead Veneer | N/A | | | | | |
Fret Count | 20 | Peghead Binding | N/A | | | | | |
Position Marker | 6 Large Block Perloid Inlay 3,5,7,9,12,15 | Peghead Logo | “Espanada” Script Metal Plate. Same Plate on Bass Side Upper Bout | | | | | |
Hardware | | | | | | | | |
Tuners | Waverly Stich-line | Pickguard | Harmony Style Thick White Plastic | | | | | |
Tuners Type | Individual, Open Back, Two Screws Affixed | Pickguard Mount | Top Screw, Mid-Side Bracket | | | | | |
Machine Heads | CM, Oval | Knobs | White Daka-Ware Cupcake | | | | | |
Tuner Bushings | CM, Hex | Knob Details | Knurled, Push-On, Volume and Tone Gold Stamped | | | | | |
Tailpiece | German Mfd. Long Compensating Trapeze | Switch Cap | Black Plastic | | | | | |
Tailpiece Mount | 3 Screws To Bottom | Control Plate | N/A | | | | | |
Bridge Type | Floating Harmony Style 2-piece | Pickup Bezel | P1 – .125″ Thick Clear Celluloid Riser with White Backing, P2 – .250″ Thick Clear Celluloid Riser with White Backing, 4-screws Affixed | | | | | |
Bridge Detail | Compensated, Thumbwheel Height Adj. | Pickup Location | Neck and Bridge | | | | | |
Bridge Material | Brazilian Rosewood | Pickup Mount | Attached to Bezel, 2 Spring Loaded Screws, Height Adjustable | | | | | |
Bridge Saddle | Bone | Strap Button | White Plastic End Pin | | | | | |
Tremolo Arm | N/A | | | | | | | |
Electronics | | | | | | | | |
Pickup | Gibson Mfd P-13 “Tone Emphasizer” | Switch Stamp | N/A | | | | | |
Pickup Detail | Integrated CM Cover with Center Rail Exposing Adjustment Screws | Switch Detail | DPDT 3 Position Toggle | | | | | |
Pickup Date | N/A | Capacitor Stamp | 2 Sprague “Bumblebee” .022µF ±20% 400V | | | | | |
Pickup Poles | 6 Height Adjustable Screws | Cap Value | 0.022µF | | | | | |
Pickup Wiring | Inside Body Cavity | Cap Value Actual | Both are 0.026µF | | | | | |
Pickup Output | P1 – 7.80kΩ, P2 – 7.33kΩ | Resistor | N/A | | | | | |
Potentiometers | 4 Total, All Centralab | Resistor Value Actual | N/A | | | | | |
Potentiometer Stamp | 134713 BA211-1917 500K, “USA” Stamped on Case Top | Wire Harness | N/A | | | | | |
Potentiometer Value | 500kΩ | Ground Wire | N/A | | | | | |
Pot Value Actual | P1 – V-535kΩ T-595kΩ, P2 – V-527kΩ T-621kΩ | Output Jack | Switchcraft. 1/4″ Jack, Lower Bout Side Mounted 1/2″ Nut | | | | | |
| | | | | | | | |
Catalog Description | | | | | | | | |
HARMONY DOUBLE PICKUP ELECTRIC SPANISH GUITARS Cutaway Models | | | | | | | | |
Jewel like beauty . . . superb styling . . . top-of-the-line quality in tone and response . . . in these fine precision-made Professional cutaway electrics. New Slim-line necks with adjustable Torque-Lok dual reinforcing rods and speed-fretted pearl-inliad ovalled fingerboards make playing a pleasure right down to the last fret. Five controls—two for volume, two for tone, and selector switch – permit infinite choice of tonal effects with the two high fidelity pickups. Bridge pickup for take-off or solo playing; forward pickup for rhythm work. Each pickup has individual adjustment for each string. Grand Auditorium size 41 ¾ x 16 5/8 in. Laminated arched spruce tops and maple backs. Heavy molded guardplates. Chrome plated metal button individual tuning keys. DeLuxe compensating tailpiece. Truly outstanding in design, detail, and value for the progressive guitarist seeking to improve his performance and audience appeal. | | | | | | | | |
No. H63 – The “Espanada” Cutaway Model, in gleaming black polished finish. Wide bands of fluted Harmometal binding on top and back edges. Pearl inlaid ebonized maple fingerboard. DeLuxe compensating tailpiece. $199.50 | | | | | | | | |
| | | | | | | | |
Chronologue Legend | | | | | | | | |
Pickups numbering starts from top position. Ex. P1-Neck, P2-Middle, P3-Bridge | | | | | | | | |
Pup – Pickup | | | | | | | | |
UB – Upper-bout, LB – Lower-bout, WB – Waist-bout | | | | | | | | |
Laminate – Pressed layers of wood w/ veneer | | | | | | | | |
Celluloid – Nitrocellulose-based plastics | | | | | | | | |
W/B – Binding alternates White/Black or Black/White depending on count. Ex. 5-ply W/B = W/B/W/B/W | | | | | | | | |
(db) – Double Markers | | | | | | | | |
Pearlette – Plastic resembling natural pearl. | | | | | | | | |
MOP – Authentic mother of pearl | | | | | | | | |
COB – Chrome over brass | | | | | | | | |
CM – Chromed Metal | | | | | | | | |
OAP – Tuners mounted on a metal plate | | | | | | | | |
V/T – Volume/Tone | | | | | | | | |
kΩ – Kiloohms, measuring electric resistance | | | | | | | | |
μF – Microfared, measuring electrical capacitance | | | | | | | | |
Unknown – Electronics – examination would disrupt vintage integrity, or accurate reading is weighted by other components. | | | | | | | | |
Unknown – Wood or hardware – examination would disrupt vintage integrity | | | | | | | | |
N/A – Not Available from manufacturer. | | | | | | | | |
The Chronologue entry is for model inspected only. Similar models may exhibit different specifications. | | | | | | | | |
The Chronologue is for historic reference. Updates to continue. | | | | | | | | |
Maintenance on models not performed unless documented. | | | | | | | | |
The Chronologue is a registered trademark of SLT Vintage | | | | | | | | |